Marshall Womack
Project Director of Art @ Twisted Pixel Games
Home
Resume

Padded Room Level from "Wilson's Heart" game

This group of images are in-game screenshots from the Oculus Rift VR Game "Wilson's Heart" by developer Twisted Pixel Games. I spent a few years working on this game with one other Environment Artist, (with outsourced help for some static props). Wilson's Heart was a truly fun project to work on. The game was set in a 1940's era hospital and featured a black and white film noir-like art style which made for an interesting challenge. The bulk of the assets I created were actually made in full color while I toggled on a black and white view mode constantly to check my values and contrast for the final game. Please note, if you haven't played the game, there are spoilers here!

Each of the screenshots in this collection was taken from levels in the game where I did significant work. I've included descriptions along with each image explaining what aspects I was responsible for and which items i did not contribute to.

This particular group of images is from the Padded Room level.

Padded Room - I made the textures/materials for the padded walls, ceilings, floors, and created the ceiling props and door.

Padded Room - I made the textures/materials for the padded walls, ceilings, floors, and created the ceiling props and door.

Padded Room Level. I did textures and materials for the walls, ceilings, floors, doors, ac unit, and pipes.

Padded Room Level. I did textures and materials for the walls, ceilings, floors, doors, ac unit, and pipes.

Closer shot of my padded walls, floors, and door.

Closer shot of my padded walls, floors, and door.

The player reveals a secret door leading to an underground dungeon-like bunker. I made the portcullis gate and wench shown here. Another artist made the rock walls and ground in the environment.

The player reveals a secret door leading to an underground dungeon-like bunker. I made the portcullis gate and wench shown here. Another artist made the rock walls and ground in the environment.

Another shot of the gate and wench I created. Floors and walls by another artist.

Another shot of the gate and wench I created. Floors and walls by another artist.

Distant shot of the open gate and wench. Another artist did the rest of the environment here.

Distant shot of the open gate and wench. Another artist did the rest of the environment here.

Underground war bunker. I made the sandbags, two war radio devices, and the large wood ammo crates on both sides.

Underground war bunker. I made the sandbags, two war radio devices, and the large wood ammo crates on both sides.

I did the decayed textures on the walls, ceilings, and floors.

I did the decayed textures on the walls, ceilings, and floors.

Hallway outside padded room. I did the decayed textures/materials on the walls, ceilings, and floors. Also did texture pass on the microphone and speaker, and modeled/textured the suitcase in character's arms.

Hallway outside padded room. I did the decayed textures/materials on the walls, ceilings, and floors. Also did texture pass on the microphone and speaker, and modeled/textured the suitcase in character's arms.

Close up of open suitcase which contained a mysterious dial. I created the case and dial concept/models/textures.

Close up of open suitcase which contained a mysterious dial. I created the case and dial concept/models/textures.

Report